Student Answers penisbaek Student In scene 1 of act 3, Macbeth hires two men to kill both Banquo and his son, Fleance. Macbeth selected these two men seemingly because they are unhappy with and angry about their position in life. Macbeth successfully manipulates these men, who agree that Banquo is their enemy and it is their job to murder him.
In Macbeth the central idea or theme appears to me to be this. A noble character, noble alike in potentiality and fruition, may yet be completely overmastered by mysterious, inexplicable temptation; and if he be once subdued a curse not to be forgone is for ever upon him.
Temptation begets sin, and sin yet further sin, and this again punishment sure and inexorable. The illustration of this central idea is to be found in the rise and fall of Lord and Lady Macbeth.
To them temptation comes in the guise of ambition, the subtlest form in which it can approach high souls. Of the supernatural setting in which it is exhibited there will be more to say here-after; for the present note that once the murder of Duncan is committed there is never any hope of regress -- sin leads to sin with remorseless fatality, until the end is utter ruin of the moral sense or even of reason itself; so that death comes almost as a relief, though it be a miserable death, without hope of repentance.
Such a story is a proper theme for tragedy, because it depicts strong human natures battling with and overcome by destiny; had they been weak natures the disproportion between the forces would have been too great, and we should have had pathos and not tragedy.
Starting from this central idea, the power of Shakespeare's treatment of it is most clearly manifest in the contrasted results of similar circumstances on two characters of different mould and fibre -- one that of a man, the other of a woman; one realizing itself in action, the other in thought.
When first Macbeth comes before us it is as a mighty warrior -- he is spoken of as "valour's minion", "Bellona's bridegroom, lapp'd in proof"; by performing prodigies of personal valour he has saved the country on one day from a civil and an alien foe. This is the noble side of him; away from the battlefield his greatness is gone, he sinks to the level of quite common men.
Lady Macbeth herself expresses this in a passage which has been misunderstood: Yet do I fear thy nature; It is too full o' the milk of human kindness To catch the nearest way. Pritchard, as a sheer human monster, and the evil genius of her husband's soul. Hers is both a subtler and a nobler nature than his.
Living a woman's solitary life, she has turned her thoughts inward; she, too, is a conqueror and has won her triumphs, not in war, but in the training of her intellect and the subjugation of her will. And withal, she is a very woman still: I have given suck, and know How tender 't is to love the babe that milks me; and Had he not resembled My father as he slept, I had done 't; and that despairing cry of horror: Macbeth addresses her in language of love, and she too is wrapped up in him.
Her immediate impulse to crime is ambition for her husband rather than herself, and in the banquet scene she stifles agonies of remorse to save him from blunders. Thus the antithesis between the two is that between the practical life and the intellectual, and the effects of this difference are everywhere apparent.
Macbeth is bold and resolute in the moment of action; he can kill a king, and he has a curious gift of ready speech throughout, which avails him to answer unwelcome questions. But when there is nothing to be actually done he is devoid of self-control; he cannot wait nor stand still; he becomes a prey to countless terrible imaginings; he is wildly superstitious.
In all this Lady Macbeth is the exact converse; she has banished all superstition from her soul; she is strong enough of will to quell her husband's cowardly fears; she can scheme and plot, but she cannot act; she must leave the actual doing of the deadly deed to Macbeth; at the moment of discovery she faints.
The emotional effects of their crime are totally different on the pair. In Macbeth it is purely fear; there is no word of sorrow or sense of sin, only a base dread lest he should be found out and lose what he played for; if the fatal blow Might be the be-all and the end-all here, But here upon this bank and shoal of time, he is willing to "jump the life to come".The relationship between Macbeth and Lady Macbeth is indeed a turbulent one that carries many similarities and differences.
One could compare it to a balance; at first Lady Macbeth is heavy with vaulting ambition and greed, while Macbeth is . The Relationship Between Macbeth and Lady Macbeth in William Shakespeare's Play In the early stages of the play, the Macbeths seem to be a devoted couple.
Their love and concern for each other remains strong and constant throughout the play, but their relationship changes dramatically following the murder of King Duncan in Act 2. Similarities And Differences Between Macbeth And Banquo English Literature Essay.
Print Reference this. Published: 23rd March, In the end lady Macbeth proved herself in the scene and committed suicide as of Macbeth, he went to war with Duncan's sons which he lost and was killed. This research is about the similarities and differences.
Differences Between Macbeth and Lady Macbeth From The Tragedy of timberdesignmag.com E. K. Chambers. In Macbeth the central idea or theme appears to me to be this. A noble character, noble alike in potentiality and fruition, may yet be completely overmastered by mysterious, inexplicable temptation; and if he be once subdued a curse not to be forgone is for ever upon him.
Macbeth Retold and Macbeth Similarities 'Macbeth Retold' and Macbeth share many connections, yet have essential differences.
Demonstrate the truth of this comment through a detailed discussion of Brozel's film and Shakespeare's drama. Macbeth Essay - the Similarities and Differences Between Macbeth and Lady Macbeth.
Topics: Macbeth In the dialogue between Macbeth and Lady Macbeth reveals information to the audience about the aggressive nature of their relationship. The ideas of being the victim of fate and the issue of masculinity are linked together in this scene.