It has been suggested that this article or section be merged into Nathaniel Hawthorne. Discuss Sympathy of nature: A flood of sunshine Nathaniel Hawthorne:
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We have as yet hardly spoken of the infant that little creature, whose innocent life had sprung, by the inscrutable decree of Providence, a lovely and immortal flower, out of the rank luxuriance of a guilty passion.
How strange it seemed to the sad woman, as she watched the growth, and the beauty that became every day more brilliant, and the intelligence that threw its quivering sunshine over the tiny features of this child! Her Pearl—for so had Hester called her; not as a name expressive of her aspect, which had nothing of the calm, white, unimpassioned lustre that would be indicated by the comparison.
God, as a direct consequence of the sin which man thus punished, had given her a lovely child, whose place was on that same dishonoured bosom, to connect her parent for ever with the race and descent of mortals, and to be finally a blessed soul in heaven!
Yet these thoughts affected Hester Prynne less with hope than apprehension. She knew that her deed had been evil; she could have no faith, therefore, that its result would be good.
Certainly there was no physical defect. By its perfect shape, its vigour, and its natural dexterity in the use of all its untried limbs, the infant was worthy to have been brought forth in Eden: The child had a native grace which does not invariably co—exist with faultless beauty; its attire, however simple, always impressed the beholder as if it were the very garb that precisely became it best.
But little Pearl was not clad in rustic weeds. Her mother, with a morbid purpose that may be better understood hereafter, had bought the richest tissues that could be procured, and allowed her imaginative faculty its full play in the arrangement and decoration of the dresses which the child wore before the public eye.
Throughout all, however, there was a trait of passion, a certain depth of hue, which she never lost; and if in any of her changes, she had grown fainter or paler, she would have ceased to be herself—it would have been no longer Pearl!
This outward mutability indicated, and did not more than fairly express, the various properties of her inner life. The child could not be made amenable to rules.
In giving her existence a great law had been broken; and the result was a being whose elements were perhaps beautiful and brilliant, but all in disorder, or with an order peculiar to themselves, amidst which the point of variety and arrangement was difficult or impossible to be discovered.
She could recognize her wild, desperate, defiant mood, the flightiness of her temper, and even some of the very cloud—shapes of gloom and despondency that had brooded in her heart.
The discipline of the family in those days was of a far more rigid kind than now. The frown, the harsh rebuke, the frequent application of the rod, enjoined by Scriptural authority, were used, not merely in the way of punishment for actual offences, but as a wholesome regimen for the growth and promotion of all childish virtues.
Hester Prynne, nevertheless, the loving mother of this one child, ran little risk of erring on the side of undue severity.
Mindful, however, of her own errors and misfortunes, she early sought to impose a tender but strict control over the infant immortality that was committed to her charge.
But the task was beyond her skill. Physical compulsion or restraint was effectual, of course, while it lasted. As to any other kind of discipline, whether addressed to her mind or heart, little Pearl might or might not be within its reach, in accordance with the caprice that ruled the moment.
Her mother, while Pearl was yet an infant, grew acquainted with a certain peculiar look, that warned her when it would be labour thrown away to insist, persuade or plead. It was a look so intelligent, yet inexplicable, perverse, sometimes so malicious, but generally accompanied by a wild flow of spirits, that Hester could not help questioning at such moments whether Pearl was a human child.In Nathaniel Hawthorne's work, The Scarlet Letter, nature plays a very symbolic role.
Throughout the book, nature is incorporated into the story line.
One example of this is with the character of Pearl. Pearl is very different than all the other characters due to her special relationship with.
The Scarlet Letter by: Nathaniel Hawthorne Summary. Plot Overview; Summary & Analysis; The tone of The Scarlet Letter mixes deep irony with sympathy towards the novel’s protagonists, contrasting the hypocrisies of Hester and Dimmesdale’s society with their own attempts to lead virtuous lives.
The ironic tone is established in the.
quotes from The Scarlet Letter: ‘We dream in our waking moments, and walk in our sleep.’ and thus humanize and make her capable of sympathy.” ― Nathaniel Hawthorne, The Scarlet Letter.
likes. Like “It is to the credit of human nature, that, except where its selfishness is brought into play, it loves more readily than it. The Relation between Pearl and Nature in The Scarlet Letter In Nathaniel Hawthorne's work, The Scarlet Letter, nature plays a very symbolic role. Throughout the book, nature is incorporated into the story line.
Relation between Pearl and Nature in Nathaniel Hawthorne's The Scarlet Letter Words | 5 Pages Relation between Pearl and Nature in The Scarlet Letter In Nathaniel Hawthorne's work, The Scarlet Letter, nature plays a very symbolic role. The Symbolic Use of Nature in The Scarlet Letter In Nathaniel Hawthorne's classic The Scarlet Letter, nature plays a very important and symbolic role.
Hawthorne uses nature to convey the mood of a scene, to describe characters, and to .